
This is the movie that made Martin Scorsese, Martin Scorsese. Taxi Driver is one of those films that forces you to question things about morality that you haven’t before. If you haven’t seen Taxi Driver, your education in film hasn’t even begun. Since it’s release it has set a bar which not many movies have reached.
Like Raging Bull, another successful Scorsese film, Taxi Driver features Robert De Niro in top form. As good as the actor has been elsewhere, these two pictures mark the apex of his superlative career. From his first scene in Taxi Driver, De Niro is Travis Bickle, a 26-year old ex-Marine searching for work that will keep him up all night as a means of combating insomnia. At the outset, Travis is a lonely, disillusioned man who can still function within the “normal” constraints of society. As time passes, however, Travis becomes increasingly alienated from the world around him, spiraling into a state of dissociated delusion. He sees New York City as a place of urban decay populated by “animals” and “scum” that need to be swept away. And who better than him to initiate the process? De Niro’s performance is so perfectly-tuned that we in the audience don’t have a moment’s doubt or disbelief about what’s taking place in Travis’ troubled mind.
Twenty years after its initial release, Taxi Driver has reached screens in a new, pristine print featuring a remastered stereo soundtrack. And, despite the passage of two decades, the only thing dated about this film are the fashions. Taxi Driver’s message still rings as true as ever, and the characters are as shockingly believable as in the mid-seventies. This re-release offers movie-goers another opportunity to see one of Scorsese’s most influential and disturbing films on the big screen.
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